"S.(Silent) Korea" is a poignant 52-minute video that meticulously curates a decade-long chronicle of the Sewol Ferry tragedy, a devastating maritime disaster that claimed the lives of 304 people, primarily high school students, on April 16, 2014. The director of this video was in the same year in high school as the students on the ferry back in 2014. This tragedy unfolded due to the glaring inadequacy of the South Korean government and the critical misinformation disseminated by major public news outlets, which initially and falsely reported that the students were safe. 　　The video is a silent testament to the disillusionment with mainstream media and governmental incompetence. The first half of the film presents yearly broadcasts from 2014 to 2018, showcasing news anchors as they grapple with evolving narratives, discovering new facts only to contradict themselves the following year. By stripping away all verbal communication, the film underscores the futility and unreliability of the spoken word, reflecting the creator's profound distrust in these institutions.

美国著名音乐节目《Tiny Desk Concert》的韩国版，“小书桌前没有界限的音乐世界，Tiny But Not So Tiny Concert！” 每次都有一位新音乐家参与，在亲密而朴实的氛围中呈现小型现场表演。

Within the space of five years in the 1990s, six young women went missing in Ireland, never to be seen again. In the same vast area known today as Ireland’s Vanishing Triangle, Annie McCarrick, Josephine Dullard, Fiona Pender, Ciara Breen, Fiona Sinnott and Deirdre Jacob all disappeared without a trace. Thirty years on from the first case, the new two-part crime series delves into the investigations prompted by the tragic disappearances of these women and the ongoing search for answers. 　　Featuring interviews with some of the victims’ family and friends, former detectives and investigative journalists, this harrowing series examines whether we are any closer to uncovering one of Ireland’s darkest secrets. 　　Crime journalist Geraldine Niland is at the heart of the story – taking us through the cases and beyond as she fights for answers for the families still grappling with the devastation of not knowing what happened to their loved ones. As well as an in-depth analysis by Irish forensic scientist David Kenny who reveals a location where, he believes, a body or bodies may be buried – deep in the Wicklow mountains and close to the home of local suspect Larry Murphy.

一位追赶救护车的律师和他理想主义的年轻律师助理组成了一个强大的团队。他们不太可能的合作关系是法律外包新现象的产物：他在佛罗里达，她在印度。

Set in a small theater at the end of the silent film era, a former movie star clings to the past by screening only silent films. His son grows up in this world, unaware of the changes beyond its walls, until a discovery unsettles his beliefs.

Who really benefits from technological progress? In Silent Engine, Korean interdisciplinary artist Kahee Jeong uses image and sound to show how the digital divide and an increasingly exclusive future is changing our society. 　　In Silent Engine, Kahee Jeong explores the quiet but profound changes shaping technology and society. Inspired by thinkers such as Seneca, Alvin Toffler and Bernard Stiegler, Jeong reflects on the ‘inability to adapt’ to the rapid technological developments of our time. Jeong shows how these changes can lead to emotional consequences such as alienation, stigma and fear, especially among vulnerable groups such as the elderly, low-income people and those with limited educational opportunities. 　　Using a multidisciplinary approach, Jeong creates an experience that invites viewers to explore the psychological and social consequences of ‘digital deprivation’. Silent Engine asks critical questions about the assumption that technological progress benefits everyone. Instead, it exposes how these advances increase inequality and threaten diversity – a crucial element for a resilient society. 　　Like a ‘silent engine’ propelling change, Silent Engine reveals the subtle forces shaping our modern lives. The work invites reflection on the often invisible divisions in our hyper-connected world. 　　Kahee Jeong is an artist in residence at IFFR 2025. This residency is a collaboration with V2_Lab for Unstable Media, where artists are invited to explore the cross-fertilisation between film and media art.

紀錄片載入了Rain與摯友金濟東喝酒談心的畫面，和前往奉安堂探望故母幷懷念母親的人性化的一面。 　　紀錄片還包括采訪與Rain一同出演美國有綫電視臺著名節目《Colbert Report》幷大展舞技的斯蒂芬•科爾伯特，和共同出演沃卓斯基兄弟執導的《極速賽車手》的蘇珊•薩蘭登，以及著名導演朴贊郁和演員林秀晶等人的內容。 　　該記錄片將于2月23日在韓國播出。